The Disruptive Media Learning Lab (DMLL), is a cross-university experimental unit comprising of academics, learning technologists, subject librarians, educational developers and researchers. The Lab is based in the heart of Coventry University’s campus in a newly refurbished space on the top floor of the Frederick Lanchester Library, uniquely designed to promote open dialogues, collaborative work and exploratory play for all interested in defining the 21st century university.
The next full-day event held at the Disruptive Media Learning Lab will be
16th November 2016
Speaker: Jesse Stommel
Jesse is Executive Director of the Division of Teaching and Learning Technologies at University of Mary Washington. He is also Director of Hybrid Pedagogy: a digital journal of learning, teaching, and technology and Co-founder of Digital Pedagogy Lab. He is a documentary filmmaker and teaches courses about digital pedagogy, American literature, film, and new media. Jesse experiments relentlessly with learning interfaces, both digital and analog, and works in his research and teaching to emphasise new forms of collaboration.
@Jessifer
jessestommel.com
More information coming soon.
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DMLL Project Proposal FormHedy Lamarr – (1966) Publishers sued by Lamarr for embellishing and fabricating content with regards to her personal life.
George Orwell – (1945) Banned due to criticism of the USSR, in Kenya because it criticizes ‘corrupt leaders ‘ and also banned in the UAE due the occurrence of a talking pig.
William Golding – (1954) Banned for violence, language, sexuality and racism
William S. Burroughs – (1959) Banned in the USA because of obscenity laws. The books subject matter deals with drug use, sexually explicit acts and obscene language.
Ray Bradbury – (1953) Banned for going against religious beliefs (one of the books burned in the book is the Bible)
Walter Raleigh – (1614) Banned as considered a political attack on Kings and royalty
Adam Smith – (1776) Banned in the UK and France for criticizing Mercantilism & in communist nations for it’s capitalist content.